A large educational programme need not read as a single monumental object. At Zhejiang Conservatory of Music, buildings follow the contours of Wangjiang Mountain.
Teaching and student facilities form distinct groups, breaking the scale of the campus into a sequence of places. A shared material palette connects programmes with different spatial and acoustic demands.
The resulting approach puts landscape and everyday movement at the centre of campus life: learning spaces become part of a larger inhabited terrain.
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